Firefly Distillery | Good Times. Great Spirits.

When we began the design for Firefly Distillery’s new facility, the first step was to visit their existing distillery and tasting room on Wadmalaw Island, SC to learn their history, better understand their brand, see their process, and sample some spirits. (Spoiler alert: they’re good.) Before putting pen to paper, it was important for us to know how Firefly started, where they are going, how they differentiated themselves in the industry and thus what functional spaces and visitor experiences to help create within the architecture.

The next couple of years included distillery research (see our Distillery Homework blog), design iterations and construction. The new facility opened in February 2020 and enjoyed a few weeks of hosting a record breaking number of visitors before the pandemic dialed down indoor gatherings. Firefly was able to pivot their distilling efforts to produce hand sanitizer to meet the moment and are now able to safely host visitors at the outdoor courtyard, tastings on the porch and socially distanced outdoor concerts.

Highlights of our research and how it dovetailed into our design

Firefly is a locally owned, family business who was one of the South Carolina Lowcountry’s best kept secrets until their inspired collaboration with the neighboring Charleston Tea Garden yielded ‘Firefly Sweet Tea Vodka’. Ever since, they have enjoyed a national audience and are a destination for tours, tastings and events. Therefore the building program included a gift shop, distillery, bottling line, lab, a tasting room, spirits retail section and multiple places for events (weddings, receptions, smaller meetings and outdoor concerts.)

The Firefly brand is southern, approachable, and laid back in the best way possible; think sitting on your porch with a drink in your hand, friends nearby and bluegrass playing in the background. This told us that while this will be a brand new, code-compliant facility, there should be moments of patina and casualness. Specialty craftspeople really brought the ‘soul’ into this new building. Shout out to coppersmiths, Khalima Lights for their handmade light fixtures, Limelight for the signage installation, Gil Shuler for the branding graphics and Lowcountry Case + Millwork for sourcing the reclaimed wood and executing our barrel stave design.

The Firefly folks, while innovative and forward-thinking, are also nostalgic and rustic with a side order of DIY. This inspired us to deconstruct wooden bourbon barrels in the back of our studio and incorporate them into the bar and light fixture designs as well as source reclaimed wood for paneling and metal roofing from a former Firefly structure as an interior accents.

The tasting bar design was born from deconstructing wooded barrels and alternating the position resulting in a varied texture and color rooted in distillery life. Bar counter is a custom copper fabrication. Beyond the bar is the spirits retail display where visitors can purchase bottles. Custom display / cabinetry designed by Rush Dixon Architects and crafted by Lowcountry Case + Millwork.

Copper nails make up the Firefly logo behind the check out counter. (Shout out to Limelight Signs for the many, many, many hours of hammering to get this effect.)

The gift shop greets visitors with a soaring, reclaimed wood clad vaulted space.

The day we discovered Khalima Lights, a local husband and wife team that handcrafts custom light fixtures, was a good day. Located on Wadmalaw Island, they produced all of the specialty lighting. Shown here are deconstructed barrel stave “clouds” designed by Rush Dixon Architects with Khalima’s Waycaster pendant and Edison bulbs.

The gallery where tour groups gather to begin the guided distillery tour, showcases Firefly Distillery’s history and process. Gil Shuler and Limelight were the MVPs of the info graphics and execution.

The distillery and tank room where the magic happens. Special thanks to Vendome Copper and Dalkita.

After the distillery tour, visitors are invited to a tasting bar to sample spirits of their choice. The back bar was designed to allow for the current Firefly spirit products to be displayed. Reclaimed metal roofing and wood was utilized to provide a rustic feel.

Close up of the spirits retail display which needed to be locked down during events. Rolling barrel stave screens slide to secure the products while maintaining visual connection.

We don’t know much, but we do know how to keep good company. See below for some of the all-star collaborators and craftspeople:

• Seamon Whiteside: Civil Engineering + Landscape Architecture

• ADC Engineering: Structural Engineering

• Charleston Engineering: Mechanical, Plumbing, Electrical, Fire Protection Engineering

• Dalkita: Distillery Consultant

• Trident Construction: General Contractor

• Gil Shuler: Graphic Design + Branding

• Limelight Custom Sign Company: Signage

• Khalima Lights: hand-made specialty lighting

• Lowcountry Case + Millwork: interior millwork including tasting bars, spirits retail display, reclaimed wood paneling and barrel stave details.

• Chris Smith Photography: All photographs

Charleston Modern Infill - UPDATE

This speculative infill development included three single family residences located in the Cannonborough neighborhood in downtown Charleston. The client’s desire for a modern aesthetic with durable, low maintenance materials was executed with cementitious V-groove and lap siding on a stucco base. Now two of the three residences have been completed by Zourzoukis Homes and are for sale.

Click HERE for a link to the listing and additional photos by our friends at Birchin Lane Realty.

"Designing for Life"

“The great thing about getting older is living life.” Jon Hamm

Admittedly, the term “Designing for Life” is quite aspirational in terms of residential architecture because it assumes we know every current and future client need at a single moment in time. Rather, we use the term as a way to approach the design of a home while looking ahead to certain or likely scenarios in an effort to provide an inspiring environment to age in place.

Before we put pen to paper we, of course, spend time listening closely to our clients’ goals for their new or renovated home - how they want it to feel and look, budget and metrics such as number of bedrooms and bathrooms, etc. After capturing these programmatic pieces, we push the conversation to help clients think about bigger and perhaps, different aspects. One such conversation we are having more and more is designing and planning to age in place, or at the risk of using another aspirational term, “future proof”. This concept is certainly not new; and while waning mobility may not be a super fun thing to think about, careful design and intentional planning go a long way in adding value, ease and enjoyment in a living space.

Zero step transition from living room to outside courtyard.

To hone our perspective and approach, we recently completed the National Association of Home Builders’ Certified Aging-In-Place Specialist educational series. A welcomed aspect was the varied professional backgrounds represented in the group: product representatives, occupational therapists, builders and designers from all parts of the country offered laser focused reports from each industry. Many of the strategies have been exercised for decades and considered good practice without being labeled as “Aging In Place” and some new strategies were shared such as product offerings - all worth a little air time to keep it front of mind. Some highlights include:

• SLIDING SCALE: There is not one size fits all when it comes to designing to age in place. There are varied needs including clients with out urgent needs, clients with progressive conditions and clients with traumatic needs (short term injury or long term disability). Within each of those categories exists a different comfort level / interest in incorporating design elements. Each situation, client and budget yields a custom solution.

• VISITABILITY: Think not only about the clients’ needs, but their aging parents or friends with disabilities. If a home has even a few steps, visits from some family or acquaintances would prove difficult, cumbersome or impossible. Think about offering welcoming and safe spaces for everyone.

• OCCUPATIONAL THERAPISTS: For those clients who have progressing or traumatic needs, listen closely to what the healthcare providers are recommending. Often in the group discussions, those of us non-medical folks went over the top in accommodations in contrast to the OT’s approach which was usually simple and exacting to the specific challenge but sought to keep the client as active and independent as possible.

• ADAPTABILITY: Blocking - just do it. Add wood blocking at targeted locations within walls in bathrooms for future grab bars and shower seats. Other examples of adaptable design include stacking closets for future elevator, base cabinets that can be removed to accommodate a wheelchair, structural support in ceiling for future lift, size powder rooms for future showers, etc.

• BUILDING BLOCKS: Zero step entry into the home, correctly sized halls and doors, living and bedroom on ground floor, curbless or “beach entry” into shower, elevator or stacking closets for future elevator for multi-story homes, lever hardware in lieu of knobs, think about mounting heights of outlets and switches.

Beach entry into shower

Our goal as architects is to synthesize the practical and required components into inspired design that meets or exceeds our clients’ goals. Seamlessly incorporating these and other aging in place strategies into the overarching architecture direction is our ultimate plan. This is not to say that every design of ours checks every accessibility or aging-in-place box, rather we introduce the discussion and allow the client to drive the decision making. We can therefore create a built environment that allows our clients to safely enjoy their days in the place they most want to be.

“The great thing about getting older is living life.” Jon Hamm

Seabrook Island Beach Club Renovation

In collaboration with Seamon Whiteside, an award-winning landscape architecture and civil engineering firm, the design goals of this project included updated pools, deck, restrooms and a new cabana bar. Balancing zoning ordinances, design reviews, flood regulations and building code parameters, the result provides a modern amenity for this island community overlooking the Atlantic Ocean.

Initial concept rendering of the Cabana Bar shows a dynamic mono-slope roof and trellis system.

Construction progress photo showing the side view of the Cabana Bar.

Ipe scrim treatment wraps the Cabana Bar service area.

Camp Hall Village | Nature + The Machine

Santee Cooper’s Camp Hall is a next generation commerce park where “people, nature and productivity connect.” At the heart of Camp Hall is the Village Center, a thriving collection of small businesses and conveniences designed to help balance work with the necessities of daily life - connecting the workforce to everyday errands, to nature and to each other. Currently the master-planned park commerce park includes:

• Wi-Fi connectivity

• Conveniences are planned to include food, a convenience store, healthcare, dry cleaning, gas, banking, a fitness center, a fire station and EMS as well as other employee services

• Planned amenities including an event lawn/park and a playfield

• Trails for exploration, exercise and connectivity

• Spaces to gather and celebrate

With state-of-the-art manufacturing (home of Volvo USA) in a setting of vast natural beauty, the design concept of “NATURE + THE MACHINE” permeates the built environment. Like the vehicles and machines produced in Camp Hall, the Architecture is intended to embody precision, sleekness and innovation. With bird protection and awareness as a major focus, the architecture likewise found its inspiration. The building forms are abstract interpretations of the patterns, colors, and figures found in native species.

The “Avian Pavilion” (shown below) hovers over the lake greeting visitors with outspread wings,  encouraging visitors to take refuge from the sun, birdwatch, and learn more about Camp Hall’s mission.

Concept design for the Camp Hall Avian Pavilion

Concept rendering

“Nature is a self-made machine, more perfectly automated than any automated machine. To create something in the image of nature is to create a machine, and it was by learning the inner working of nature that man became a builder of machines.” Eric Hoffer

Product Design by Architects

Attending architecture school is often regarded as the foundation for establishing a rigorous design process. This can then be applied not only to designing buildings, but other disciplines of varying scales such as urban design, graphic design, furniture design or in Rush’s case, product design. We have always drawn inspiration from architects who toggle between such scales or disciplines. Some of our favorites include:

Aldo Rossi (1931 - 1997) 

An Italian architect and leader of the postmodern movement, Rossi was known for built works of architecture, theory, drawing and product design. We first saw his “Il Conico" tea kettle and “La Conica" espresso coffee maker for Alessi and knew it was no ordinary design.  

Charles-Edouard Jeanneret (1887 - 1965) 

“Le Corbusier” as he was known as, was an architect, designer, painter, urban planner and writer. Notable works of architecture include the Villa Savoye and the Ronchamp chapel and collaborations with his cousin, Pierre Jeanneret, led to several iconic pieces of modern furniture that we have all likely seen, such as the sling chair. 

Philippe Starck (1949) 

French architect, Philippe Starck is known for cultural venues and hotels, also designed yachts and furniture. The iconic juicer is our favorite.

Rush3 Product Design Studio

Truth be told, a slow economy, a goal set 10 years prior, and a chance encounter with a vintage bottle opener led to the creation of Rush3 Product Design Studio in 2011.  Local branding company Slant Media made the process of starting a product design company including logo creation, web site development and product branding fun and extremely exciting.  The next several years were a mixture of architecture and product design - using the design process to jump scales and functions. Some highlights of the Rush3 Product Design Studio chapter…

Kebo® - One Handed Bottle Opener

Inspired by the Theodore Low bottle opener from the 1930s, the Kebo Bottle Opener is a modern interpretation that offered better seamless function and classic styling. It was cast of stainless steel and polished to a mirror finish because it needed to feel good in your hand and be a sculptural if not architectural piece. The “Kebo®, short for “bottle key”, won the Innovation Award in the ‘Handtools and Cutlery’ category at the 2012 International Home and Housewares Show. Fun times were had in research and development (yes, we drank a lot of beer) as well as press in Men’s Journal, Core 77, Buzzfeed, Fast Company and the Today Show. Kebo was sold at many local shops, small businesses and even Restoration Hardware and the Museum of Modern Art.

Kebo® The One Handed Bottle Opener is a 2012 International Home and Housewares Show Innovation Award winner, was featured on The Today Show and was named as one of Men’s Journal’s “Perfect Things”

Kebo Light

Anyone in the product industry knows that before long, knock-offs sprout up.  At first when a colleague suggested we do our “own knock-off” we thought it impossible to consider anything other than the pure, stainless steel original Kebo. But when attending industry trade shows we were shocked to see derivations of last show’s newest products be presented as their own fresh ideas. It’s rough out there even with trademarks and patents in place. Enter “Kebo LIght.” A different iteration of the original Kebo with a nod to light beer.  It was lightweight (made from aluminum) and available in colors so this captured a lower price point and more of an impulse buy - a bottle opener you would have on the boat or at tailgates.  

Kebo® Light offers the same elegant design extruded from lightweight aluminum making it perfect for picnics, a day at the beach or any time on-the-go.

Munch Stix®

One night when having take-out Chinese for dinner, our then 7 year old asked for chopsticks but mispronounced them saying “chomp” instead. This was a good chuckle, but then we said, what if chopsticks could actually chomp. After initial launch, a bit of a trademark hiccup had us re-brand to “Munch Stix.” We still had fun with “Chum” the shark, “Al” the alligator and “Teri” the Pterodactyl as kid-friendly chopsticks. These were a finalist for the 2013 International Housewares Association Innovation Award (Tabletop category) and made the rounds on mom-blogs including Cool Mom Picks and A-List Mom.  Retailers included kitchen and toy shops as well as the Museum of Natural History and the Georgia Aquarium. 

Munch Stix® are child-friendly chopsticks that all have mouths and munch! Made in the USA, Munch Stix® are an AmericasMart ICON Honors Innovation Award finalist, an Editor's Pick for The Gourmet Retailer and one of A-List Mom's "Toy of the Year" in 2014. Meet "Chum the Shark" who has also been endorsed by pediatric Occupational Therapist, Lindsey Biel OTR/L.

"Al the Alligator" Munch Stix® was featured in Sharon Garofalow's "Cupcakes and Cutlery" blog and named, along with his sibllings, as a 2015 Family Choice Award Winner.

"Teri the Pterodactyl" Munch Stix® was the cover girl for Fancy Food & Culinary Products Magazine in June of 2013.

Tre™ Bottle Opener

Returning to the bottle opener space (because beer) the last product Rush3 Studio designed and produced was a sculptural triple function beer opener crafted and contoured for 1) twist-off bottles, 2) pry-off bottles and 3) can tabs. We did a small run of these in 2017 mainly for client gifts and local sales. 

Released in November of 2017, TRE is a triple-function bottle opener crafted and contoured out of stainless steel for twist-off bottles, pry-off bottles and can tabs.

Certainly a great education not only in jumping design scales and function from buildings to housewares, but in dipping our toes in the product / retail sector. We have since dialed down the product design studio for now and have been focusing on architecture in the Charleston metro area. Though we still enjoy designing at a range of scales and are life-long fans of modern product design. 

Stono River Residence

With an affinity for mid-century modern architecture the clients for the Stono River Residence introduced us to their goals for a new house that would sit on the banks of the Stono River. The resulting design is a study of solid planes contrasting with light and transparency. The main living spaces for the couple are arranged on the ground floor with guest rooms above the garage wing for privacy. Materials include stucco for main organizing walls, cementitious siding and cypress soffits and lattice privacy walls.

Rendered view looking at the front elevation shows the house’s transparency, mono-slope roof and entrance canopy. Garage wing with latticed wall on left.

Front entrance sequence

Interior rendering of the main living space looking from the kitchen toward the living area.

Rendered view of the rear patio of the Stono River Residence in Charleston, SC showing transparency from main living area, cypress soffits and stucco organizing wall.

Even on a cloudy day, the Stono River in Charleston is captivating.

Holy City Orthodontics

“Your smile starts here.”

Holy City Orthodontics

It is always a privilege helping our commercial clients realize their goals by being behind-the-scenes of their business, craft an effective and hopefully inspiring built environment and as well as reinforce their brand. We recently had the pleasure of developing an interior architectural scheme for Dr. Rebekah Anderson and her new practice, Holy City Orthodontics. Dr. Anderson’s clear vision for her practice translated into focused discussions on how to create a welcoming, bright and modern space. The design uses light woods, white marble and modern lighting in conjunction with an intuitive work flow / equipment layout courtesy of Patterson Dental.

Before earning her Certificate in Orthodontics and Masters in Dentistry at MUSC, Dr. Anderson studied at UNC - Chapel Hill (Bachelors in Chemistry) and Boston University (Masters in Medical Science, DMD). “We plan to open the doors to Holy City Orthodontics this summer, and I could not be more excited. We've got an all-star team helping with our build-out. We're excited to treat children and adults with braces and clear aligners. All are welcome!” Rounding out the team is HG Engineering (mechanical, electrical and plumbing engineering) and Harbor Contracting as the General Contractor.