The Offices at Belle Hall

Commercial office design doesn’t often start with details; it begins with big picture math - proformas, core factors, totals of leasable space, parking calcs, etc. While all of these formulas came into play early and often during the design of this speculative office building, we were able to focus equally on the small design moments that seek to make a building and space unique.

Glass guardrail system with stainless steel hardware.

Glass guardrail system with stainless steel hardware.

Warm walnut paneling contrasts the white terrazzo stair treads and tile flooring.

Warm walnut paneling contrasts the white terrazzo stair treads and tile flooring.

Tenant entrances each have frameless glass doors with walnut surrounds.

Tenant entrances each have frameless glass doors with walnut surrounds.

Exterior entrance introduces you to the wood and slat elements in conjunction with charcoal painted steel.

Exterior entrance introduces you to the wood and slat elements in conjunction with charcoal painted steel.

Metal wall panels and brick are the primary exterior materials - balancing a sense of permanence with a contemporary aesthetic.

Metal wall panels and brick are the primary exterior materials - balancing a sense of permanence with a contemporary aesthetic.

Inspiration from Roma - Elizabeth Unique Hotel

As architects in Charleston, we are students of history successfully meeting modernity and seek out those moments when homage is paid to historic structures with meaningful renovations for current day functions. During a recent visit to Rome, we found ourselves in one such transformation at the Palazzo Pulieri Ginetti - the Elizabeth Unique Hotel. An ancient palazzo, lush and thoughtful interiors by Studio Marincola Architects, art curated by the nearby Russo Art Gallery - it’s a wonder we ever left. The architects, interior designers, artists and craftspeople involved with this hotel design struck the perfect balance of honoring the historic vessel it inhabits while offering an environment that is somehow bold and restrained at the same time; the details were as powerful as the overarching effect. Bravo, we will be learning from this one for a long time.

Entry lobby. Artist: Enrico Benetta

Entry lobby. Artist: Enrico Benetta

Monumental stair design was perfection: carrara marble, lighted gold handrails with dark wood guards. Sculpture: Enrico Benetta

Monumental stair design was perfection: carrara marble, lighted gold handrails with dark wood guards. Sculpture: Enrico Benetta

Manuel Felisi’s collage anchors the stair landing. [If you know the lighting designer / manufacturer for the light fixtures, please let us know.]

Manuel Felisi’s collage anchors the stair landing. [If you know the lighting designer / manufacturer for the light fixtures, please let us know.]

Edited entry into the room, neutral colors, arches are introduced with gold accents.

Edited entry into the room, neutral colors, arches are introduced with gold accents.

Old meets new: vintage black and white sceneries printed on wall covering adds a nostalgic layer but the execution and composition is quite contemporary.

Old meets new: vintage black and white sceneries printed on wall covering adds a nostalgic layer but the execution and composition is quite contemporary.

Probably the best color of blue we have ever seen was introduced on the wall separating the sleeping area from the utilities. You can see the gold accents better here.

Probably the best color of blue we have ever seen was introduced on the wall separating the sleeping area from the utilities. You can see the gold accents better here.

Giorgio Tentolini’s wire net artworks. This person is a genius.

Giorgio Tentolini’s wire net artworks. This person is a genius.

“Dandelion” by Enrico Benetta

“Dandelion” by Enrico Benetta

Sketches from Roma

“Traveling - it leaves you speechless then turns you into a storyteller.” Battuta

Professor Rodriguez did a very comprehensive job teaching our History of Architecture classes at Virginia Tech back in the day, but nothing compares to standing in front of or inside these architectural giants and studying by drawing. Here are some of the rough travel sketches, mostly exploring scale, form and massing, from our recent trip to Rome.

Our favorite view within the Piazza Del Popolo is of the (seamingly) twin churches Santa Maria di Montesano (left, 1662-75) and Santa Maria dei Miracoli (right, 1675-79) with the ancient Egyptian obelisk centered and Via del Corso starting between t…

Our favorite view within the Piazza Del Popolo is of the (seamingly) twin churches Santa Maria di Montesano (left, 1662-75) and Santa Maria dei Miracoli (right, 1675-79) with the ancient Egyptian obelisk centered and Via del Corso starting between the churches.

Closer view of the Santa Maria di Montesano in the Piazza del Popolo; not shown is the Italian street performer next to me singing ‘Sweet Dreams’ by the Eurythmics.

Closer view of the Santa Maria di Montesano in the Piazza del Popolo; not shown is the Italian street performer next to me singing ‘Sweet Dreams’ by the Eurythmics.

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There is a church every turn you make in Rome. San Giacomo in Augusta was next to our hotel and after walking past it for days, we finally peeked in…speechless. Decided to draw the floor plan to convey the mass, construction and robustness.

There is a church every turn you make in Rome. San Giacomo in Augusta was next to our hotel and after walking past it for days, we finally peeked in…speechless. Decided to draw the floor plan to convey the mass, construction and robustness.

Interior of Santa Sabina on Aventine Hill, one of the seven hills of Rome. This sketch was rushed and does not come close to conveying the scale and reverence of this space. May need to sketch this one again.

Interior of Santa Sabina on Aventine Hill, one of the seven hills of Rome. This sketch was rushed and does not come close to conveying the scale and reverence of this space. May need to sketch this one again.

This gives you an idea of scale of Santa Sabina, if the door was this big.

This gives you an idea of scale of Santa Sabina, if the door was this big.

The Ponte dei Quattro Capi bridge is from 62 BC.

The Ponte dei Quattro Capi bridge is from 62 BC.

Historic architecture and fabric was the main focus, but finding Richard Meier’s modern Ara Pacis Museum was a highlight.

Historic architecture and fabric was the main focus, but finding Richard Meier’s modern Ara Pacis Museum was a highlight.

Crafts + Arts

“Art is not about thinking something up. It is the opposite -- getting something down.” Julia Cameron, author of The Artist’s Way

Some of our favorite craftspeople and artists who as Julia Cameron would say are “ getting something down.”

KHALIMA LIGHTS, Wadmalaw Island, SC | Copper and Brass Handcrafted Lighting

We came across the talented husband and wife team at Khalima Lights when we were designing the interiors for the new Firefly Distillery building. Handcrafted from copper and raw steel, their fixtures are honest, simple and artful. [Shown below: “Bare Firefly Pendant”, “Waycaster Pendant” and “The Pablo".] Click here for their website.

 

JEREMIAH JOSSIM, Savannah, GA | Artist

Jeremiah Jossim’s landscape series, painted on circular canvases, stopped us in our tracks while on a tour of the Savannah College of Art + Design, his alma mater. [Shown below: “Seascape #5”, “Seascape #4” and “Desert #1.”] Click here for his website.

 

NIKKI GALAPON, Richmond, VA | Artist

Contemporary and abstract artist, Nikki Galapon is a former architecture school classmate from the Virginia Tech days. Her maps series, our favorite, layers pen and ink sketches and color over vintage maps. [Shown here: Boston and Lower Manhattan] Click here for her website.