S. H. Kress + Company

When we first landed in Charleston, SC one of our favorite buildings we discovered downtown was the S.H. Kress Building on King Street. At the time, (mid-1990s) it was vacant and unloved - like much of King Street, which is hard to imagine now - yet its quality, proudness and Art Deco details shown through. The massing of the building struck us with the depth of what often is a flat facade, materials including yellow brick, terra cotta, and gold accents work together to form a structured ornamentation. As fate would have it, the architectural firm we worked for was hired to do a feasibility study for its adaptive re-use as a Barnes + Noble. (Spoiler alert: it apparently wasn’t feasible.) Being eager, young intern architects, we set out with measuring tapes, graph paper and flashlights, tasked with field measuring and documenting this architectural and cultural gem. There is something equal parts exciting (like when your flashlight illuminates the original ornate plaster work on the ceiling through a gap in the 1980-ish faux ceiling) and creepy (evidence of critters) about walking through a vacant building that reeks of days gone by, especially one so grand.

It was only a short time after that, when in New Orleans, ANOTHER Kress building was discovered. “You mean there is more than one?” How we got this far in life without knowing about this retailer and its commitment to a quality built environment, we will never know. Research mode found what is now one of our beloved books, the National Building Museum’s “America’s 5 & 10 Cent Stores - The Kress Legacy” by Bernice L. Thomas. Now, every time we explore a new city, we look for the Kress Building.

The period between the turn of the century through the 1930s was a prolific time for this new type of American architecture, aligning with a new type of retail - the five-and-ten-cent store - along with the advent of the chain store. There are most certainly systemic negatives to chain stores in general, their encroachment on small/local businesses, the standardizing of America’s towns and as of the last 50 years the uninspired and cookie-cutter designs; this architectural blog focuses on how S.H. Kress invested in and ultimately elevated retail and commercial architecture. Click here for a list of Kress buildings in the US.

“Kress stores are more than pretty designs. They are commitments to a better everyday world, to civic pride, to the bounties of democratic society. The modernist canon has helped make us more cynical. There is much to be gained from taking a few steps back in time and understanding the sophistication as well as the civility of our forebears.” Dr. Richard Longstreth, GWU

Tradesman Brewing Company

We like beer. We also like kick-ass entrepreneurs who have a vision, pool their talents and work hard to make things happen. The folks behind Tradesman Brewing Company - Sara Gayle McConnell, Scott McConnell and Chris Winn - are not only clients but friends, which makes it even more fun to cheer them on. Easy to do with their brand new “Charleston Area Entrepreneur of the Year Award” and let’s face it, their Circuit Breaker IPA. The project was an adaptive reuse of an industrial building in what is now called Charleston’s Brewery District (Click here for some NY Times love on the subject). Riffing off of the “Tradesman” brand and their tag line “Well Built Beer”, the design elements are raw, functional and industrial: shipping containers (for signage, storage, and an outdoor bar) framed by exposed steel and concrete for the outdoor patio.

Other reasons we love these guys:

“BREWSTER”: Building Relationships Empowering Women Striving To Exist Responsibly. They donate proceeds every quarter to a local women’s charity.

UNION CLUB: Of course they have a “union” complete with dues and secret meetings.

GROWLER CLUB: Yes, growl as in dogs; a favorite of Mr. Tibbits.

Next time you are in Charleston or on the peninsula, stop in and give these guys a high five and enjoy a pint. Cheers to you Sara, Scott + Chris!

Aldo Rossi

One of the first architectural books Rush and I purchased as students was the epic “Aldo Rossi | Architecture 1981-1991” edited by Morris Adjmi. I remember pouring over Rossi’s pen and ink sketches, some washed with watercolor others with pencil or pastels, some very formal others with notes scribbled as if to remember a fleeting design thought. It was a view into his process - very personal, a signature, perhaps a piece of him. The sketches were often collages of floor plans, 3d perspectives and details; evidence of a master designer who understood how each influences and informs the other. His hard line drawings were arranged intuitively and his floor plans had such rigor - they looked simple and obvious. But designers know the path to simplicity is not simple.

As far as Rossi’s overarching architectural statement during this time period, I humbly yield to Morris Adjmi’s words from his opening essay “A New International Style.”

“The idea of a “new International Style” comes from a specific attitude about architectural design as well as from the changes that are reconstituting the world as a global village. It is an architecture that has regional and global components - one that is inseparably universal and inherently specific. Rather than approaching each project as an imposition of some ideal image or utopian solution, Aldo tries to understand the specifics of the site and the cultural spirit of the city and country. This is not to say that his work is without personal identity; rather, the projects share common themes and forms…He uses the city as his palette. Everything is a potential source: high and low, classical and vulgar. The poetry in Aldo’s work comes from his ability to carefully blend these artifacts and experiences into a coherent whole.”

And simply in Rossi’s own words:

“One cannot make architecture without studying the condition of the city.”

In the almost 28 years (is that even possible?) since first laying eyes on these words and images, the design teams I have been a part of endeavored to achieve small examples of this ‘blending’ described: honoring context, learning from history, deciphering the vernacular and creating a new iteration specific to the client, building, moment in time. The book is well-worn, coffee has been spilled on it, pages have been bookmarked, it crinkles when you turn certain pages, but it still remains a beacon of how we see design process and ultimately architecture.

Coastal Fertility Specialists - Nexton

South Carolina’s premier fertility center, Coastal Fertility Specialists, is expanding to the Nexton neighborhood to better serve patients in the Summerville area. As experienced experts with high pregnancy rates and national patient satisfaction awards, Coastal Fertility Specialists wanted a forward-thinking, modern design. Due date: 2020

Brighton Park Blvd. Street Elevation

Entry Drive Elevation

Crafts + Arts

“Art is not about thinking something up. It is the opposite -- getting something down.” Julia Cameron, author of The Artist’s Way

Some of our favorite craftspeople and artists who as Julia Cameron would say are “ getting something down.”

KHALIMA LIGHTS, Wadmalaw Island, SC | Copper and Brass Handcrafted Lighting

We came across the talented husband and wife team at Khalima Lights when we were designing the interiors for the new Firefly Distillery building. Handcrafted from copper and raw steel, their fixtures are honest, simple and artful. [Shown below: “Bare Firefly Pendant”, “Waycaster Pendant” and “The Pablo".] Click here for their website.

JEREMIAH JOSSIM, Savannah, GA | Artist

Jeremiah Jossim’s landscape series, painted on circular canvases, stopped us in our tracks while on a tour of the Savannah College of Art + Design, his alma mater. [Shown below: “Seascape #5”, “Seascape #4” and “Desert #1.”] Click here for his website.

NIKKI GALAPON, Richmond, VA | Artist

Contemporary and abstract artist, Nikki Galapon is a former architecture school classmate from the Virginia Tech days. Her maps series, our favorite, layers pen and ink sketches and color over vintage maps. [Shown here: Boston and Lower Manhattan] Click here for her website.

Mount Pleasant Modern

“Modern architecture does not mean the use of immature new materials; the main thing is to refine materials in a more human direction.” Alvar Aalto

Design goals for this residence included simple lines, livable spaces and sustainability. Thoughtful and exacting decisions were made collectively with the client, architect and builder. Materials include warm woods, stucco and glass.

Dee Norton Child Advocacy Center

Often times architecture is more about how a person feels within the building than the individual building materials and details. When Dee Norton Child Advocacy Center, a local non-profit who provides services for children who have been abused, asked us to assist them with their building renovation, we knew that outcome was especially important. This is one of those organizations that you wish didn't have to exist but you are so glad they are part of the community to help children heal. 

The existing building, located in Mount Pleasant, was originally designed as a church and most recently functioned as a gym. The goal for the renovation was to spend the majority of the dollars focused on the client and staff experience. Therefore, the organization did not seek bold architectural changes to the exterior. They instead invested in new paint and welcoming gardens including a gate inspired by those one would find in historic Charleston gardens; we designed theirs with custom ironwork incorporating the DNCAC logo. 

The design process had a very high level of communication with Dr. Carole Swiecicki, the Executive Director and Beverly Hutchison, Director of Development, that allowed us to truly understand the priorities of the client need / experience, the individual roles of staff members and their built environment requirements. At every meeting and design discussion, we asked ourselves if the clients would feel welcome, safe and cared for. 

One of the DNCAC board members is the VP of Manufacturing and Materials at the Charleston Boeing plant and in turn implemented a ‘lean manufacturing’ study specific to efficient client and staff flow. One specific goal was to better the client experience and reduce the time it took for a client to move through the building on their first visit - a visit that involves initial intake, a forensic interview and a medical exam. That is a lot of unknowns -  different rooms and different staff interactions -  for a child who has recently experienced abuse. Through the design of the Main Lobby, close proximity of the Intake / Family Advocate offices and interview rooms, the creation of an second, quieter waiting area adjacent to the Medical suite, all with colorful and intuitive way-finding, we hope that the physical space makes this visit a little easier for these brave clients and their families. 

The most challenging aspect of the project was fitting the programmatic requirements of the staff into the building while keeping client experience paramount in a limited amount of space. This organization has so many amazing staff members - from the first person to smile at you when you come in, to the Family Advocates and Therapists to the Education, Development and Operation folks who keep the organization running behind the scenes. Every design meeting included a discussion about how to take care of the staff whether it was the size / type / location of their work space or the importance put on the Break Room and outdoor area for staff to decompress and socialize. There is even a Meditation Room for staff use. The staff does the hard work and makes the magics happen within these walls; hopefully this renovation has improved their daily experience as well. 

Custom art installation that acts as a client interaction opportunity.

One of our favorite aspects of the design is how the initial client visit starts. The child is given the opportunity to select a bird (reminiscent of the DNCAC logo) and attach it to the custom wall art installation which depicts a tree (symbolizing support, growth and strength). At a minimum this is an ice-breaker and a way for the DNCAC staff to interact right away with the child. At most it becomes symbolic once the child sees all of the other birds on the wall, hence realizing that they are not alone. Additionally, for any visitor to the building or staff member viewing the mural, it becomes a visual document of just how many children the Dee Norton Child Advocacy Center is helping. This idea was a collective effort among the leadership staff and designers. It is so poignant - every time we would present this, everyone got chills. 

Grand Opening and Open House is open to all. [Friday, August 24 at 11am 677 Long Point Road, Mount Pleasant, SC.]

Click here for the full Post and Courier article. 

Daniel Island Recreation Center

The City of Charleston Capital Projects and Recreation Dept. staff has completed comprehensive outreach sessions the last few years to obtain citizen feedback that help form the programming.  The current design is approximately 20,000sf and includes a Gymnasium, Multi-Purpose Room, Fitness Room along with support spaces (offices, meeting room, storage, restrooms / showers). 

The inspiration for the design came directly from Daniel Island's agrarian history.  This agricultural context can be discovered at the existing concessions building at Governor’s Park. That history and context, plus understanding the fun and casual types of functions that are housed in this building really solidified this design direction. The building material choice and detailing are selected and will be designed to align with the quality level of Daniel Island and durability requirements of a public building. 

Rendering: Seamon Whiteside + Rush Dixon Architects