Judy Dixon Included in CRBJ's 2021 Architects Power List

This year’s statewide Architects Power List curated by the editorial board of the Charleston Regional Business Journal and SC Biz News includes our own Judy Dixon. In their words, “Our editorial team analyzed industry data and considered the individuals who demonstrated vision and action in serving their profession, as well as the professional excellence that commitment provides to our places of work and life.

After graduating from Virginia Tech in 1993 with a Bachelor in Architecture, Judy Dixon started her career a year later as an intern with SMHa, Inc., rising through the ranks to become a principal in the firm. She left the firm to join forces with her husband, first with Rush3 Product Design Studio and in 2014, she officially joined Rush Dixon Architects. Dixon has built a diverse portfolio, with projects that include the Daniel Island Recreation Center, Firefly Distillery and Santee Cooper’s Camp Hall Village. A registered architect in South Carolina, Dixon also is a Leadership in Energy and Environmental Design accredited professional by the U. S. Green Building Council. Throughout her career, she has served in a variety of leadership roles, including on the board of the Charleston Metro Chamber of Commerce and as chair of Leadership Charleston. She also supports organizations including the ACE Mentors, Turn90, Fresh Future Farm and the Paul R. Williams Student Scholoarship. The latter honors the first licensed African-American member of the American Institute of Architects by supporting African-American architecture students.”

2021 ARCHITECTS POWER LIST HONOREES (in alphabetical order)

Robby Aull, SSOE | Stevens & Wilkinson

Louis P. Batson III, Batson Associates Inc.

Cindy Benjamin, LS3P

Joel Carter, Jumper Carter Sease Architects

Keith M. Clarke, MCA Architecture Inc.

Judy Dixon, Rush Dixon Architects

Douglas E. Fraser, JHS Architecture

Scott Garvin, Garvin Design Group

Myles Glick, Glick Boehm and Associates

Tara B. Hile, SHLTR Architects, Inc.

Scott Johnston, Johnston Design Group

C. Dinos Liollio, Liollio Architecture

Margie Longshore, SMHa, Inc.

Marc Marchant, LS3P

Heather Mitchell, Boudreaux

Doug Quackenbush, Quackenbush Architecture

Ron Smith, McMillan Pazdan Smith

Michael W. Spivey, Spivey Architects Inc.

Gable Stubbs, SGA | NarmourWright Design

J. Michael Taylor, DP3 Architects Ltd.

Marc Warren, Goodwyn, Mills and Cawood

Edward T. Zeigler Jr., Craig Gaulden Davis, Inc.


10 Books on Design (+ Independent Bookstores to Buy Them From)

Here is a new take on last year’s Top 10 Gift Guide - Designer Edition, focusing our attention exclusively on books related to the built environment, architecture, graphic and urban design. Some of these titles have been the subject of our previous musings, which are linked in the descriptions below, and some are new titles for us to share. All have provided inspiration, education, new perspectives and sometimes a welcomed escape. Of course, these are best purchased from your local independent book store; if they are not already on the shelves, they can order for you! Some of our local favorites include Turning Page Bookshop in Goose Creek, Blue Bicycle Books in Charleston, The Village Bookseller in Mount Pleasant and the Itinerant Literate Bookstop in North Charleston. Add your favorite independent bookseller in the comments.

 

Vignelli Transit Maps

Peter B. Lloyd with Mark Ovenden

This book chronicles the Italian designer Massimo Vignelli, respectfully called the Maestro, as he pushed the world of graphic design by reimagining the transit maps of New York City and Washington DC and forcing the question ‘Can a diagram be a map?’ (Spoiler alert: yes, it can). His designs were not always embraced by all as evidenced in the Great Subway Map Debate in New York City, but always provided a thoughtful, rigorous, innovative and modern approach. This book is for those who enjoy the behind the scenes sketches and iterations of the design process and how Vignelli navigated the very public process of iconic way finding.

 
 

Lake|Flato: Nature place craft restraint

Lake Flato Architects

We have long been fans of the regional and poignant architecture of the Lake Flato team based in Austin and San Antonio, Texas; somehow the architects create epic yet humble spaces again and again at every scale and in a range of building types. This book hones in on four priorities or aspects of their design language (nature, place, craft and restraint) by presenting several of their buildings/spaces in each category. When we were in San Antonio earlier this year we stumbled upon The Pearl and knew immediately this was a gathering place that was created with a high level of creativity, commitment to history and urban place-making. Lake Flato’s work “calls attention not to itself, but to other, more pertinent aspects of the human experience.” (Kengo Kuma)

 
 

The Home Edit

Clea Shearer + Joanna Teplin

We are big fans of creating order out of chaos. Ashton Kutcher recently shared in Architectural Digest, “To feel tranquility in a space, everything needs to be in order. If the world around you isn’t in order, it’s hard to get your brain in order.” The Home Edit is a room-by-room, how-to guide to edit, organize, display/store and enjoy your possessions. It can be a little overwhelming (and extra), but if you feed off of your built environment like we do, there are definitely some strategies here that you can make your own.

 
 

30A Living

Eleanor Lynn Nesmith

If you follow our travels you have seen images from Rosemary Beach, Alys Beach and Seaside, Florida - all coastal towns along Highway 30A. From town planning principles from the creative minds of Andres Duany + Elizabeth Plater-Zyberk to the architectural fabric and details created, we find inspiration again and again. This book is a curated view and escape into nine different communities with Jean Allsopp’s photos of exterior architecture, interior design and gulf views.

 
 

CHARLESTON FANCY

Witold Rybczynski

We are a little late to the party of Witold Rybczynski’s “Charleston Fancy - Little Houses + Big Dreams in the Holy City” published in 2019 by Yale University Press, but we are here now. Rybczyncki, the celebrated architect, professor and author captures a compelling movement in Charleston metro’s built environment, urban planning and architecture world. This book shares layers of historic renovations, lessons from medieval town planning and new urbanism through interviews with local master builders, developers and designers on the reverent and humane places they have created.

Click here for our Musings Blog for a more in-depth description.

 
 

New homes for today

Paul Williams

Continuing our study of the noteworthy African-American architect, Paul R. Williams (1894 - 1980), we have been pouring over his book published in 1946, “New Homes for Today.” The plan book is light on words and heavy on images which is just how us visual learners like it. While Mr. Williams had a wide multi-faceted career based in Los Angeles, including the design of public buildings, working for the Navy and designing over 2,000 homes (even that of Frank Sinatra!), this book focuses on smaller homes, perhaps for the middle class. The structure of the book itself allows just two pages for each house design and includes the description, floor plan and classic-now-vintage perspective renderings. Home names like “The Flamingo” and “The Country Gentleman” start to paint a picture of each home’s character.

Click here for our Musings Blog for a more in-depth description.

 
 

rural studio: Samuel mockbee + an architecture of decency

Andrea Oppenheimer Dean + Timothy Hursley

This book chronicles the genesis and early years of Auburn University’s College of Architecture, Design and Construction’s “Rural Studio”, a design-build architecture studio located off-campus in rural Alabama. The studio educates what founder, Samuel Mockbee, calls “citizen architects” through feet-on-the-ground researching, community immersion, collaborative design and hands-on construction in Hale County’s ‘pockets of poverty.’ What started as a new house per year has grown into chapels, community buildings and structures for much needed economic development. Paramount lessons beyond design and construction are those in human decency, class and racial differences and how both client and student are equally helping one another.

Click here for our Musings Blog for a more in-depth description.

 
 

the new old house

Marc Kristal

Practicing architecture in the history-rich Charleston metro area often has us thinking about how new buildings or additions should interact with historic ones - the coexistence of present and past. Marc Kristal tackles the dialogue in his book, “The New Old House” with eighteen built examples of homes that combine historic and modern architecture. This discussion becomes one of preservation (sometimes with a flexible approach), function, aesthetics, respect and sustainability.

Click here for our Musings Blog for a more in-depth description.

 

fire island modernist: Horace Gifford + the architecture of secuction

Christopher Bascom Rawlins

Architect Christopher Rawlins crafts this comprehensive look at the often overlooked architect Horace Gifford (1932 - 1992), his approach to design, portfolio of seaside pavilions and houses with in the broader context of personal challenges, social and cultural movements. “As the 1960s became The Sixties, architect Horace Gifford executed a remarkable series of beach houses that transformed the terrain and culture of New York's Fire Island. Growing up on the beaches of Florida, Gifford forged a deep connection with coastal landscapes. Pairing this sensitivity with jazzy improvisations on modernist themes, he perfected a sustainable modernism in cedar and glass that was as attuned to natural landscapes as to our animal natures. Gifford's serene 1960s pavilions provided refuge from a hostile world, while his exuberant post-Stonewall, pre-AIDS masterpieces orchestrated bacchanals of liberation.” Rawlins

Click here for our Musings Blog for a more in-depth description.

 

LIVING WITH PATTERN: COLOR, TEXTURE, AND PRINT AT HOME

Rebecca Atwood

As lovers of solids (usually black or grey if we are being honest) we recognize that working with color and pattern can be our blindspot. Who better to learn from than Rebecca Atwood, artist, textile designer and a recent addition to the Charleston creative space (lucky us), with her book “Living with Pattern: Color, Texture, and Print at Home.” This beautiful reference, including photographs by Emily Johnston, is organized in three main parts in addition to resources and sourcing lists. First is a design and reference ‘primer’ allowing the reader to hone their personal point of view; second is a room-by-room guide with real life examples of inspired spaces; the third section includes projects for the reader to begin their own journey. In her words, “We are all filled with contradictions, and that’s what makes life interesting. Pattern can reflect your particular oppositions, interests, aspirations, and views of the world.”

"Designing for Life"

“The great thing about getting older is living life.” Jon Hamm

Admittedly, the term “Designing for Life” is quite aspirational in terms of residential architecture because it assumes we know every current and future client need at a single moment in time. Rather, we use the term as a way to approach the design of a home while looking ahead to certain or likely scenarios in an effort to provide an inspiring environment to age in place.

Before we put pen to paper we, of course, spend time listening closely to our clients’ goals for their new or renovated home - how they want it to feel and look, budget and metrics such as number of bedrooms and bathrooms, etc. After capturing these programmatic pieces, we push the conversation to help clients think about bigger and perhaps, different aspects. One such conversation we are having more and more is designing and planning to age in place, or at the risk of using another aspirational term, “future proof”. This concept is certainly not new; and while waning mobility may not be a super fun thing to think about, careful design and intentional planning go a long way in adding value, ease and enjoyment in a living space.

Zero step transition from living room to outside courtyard.

Zero step transition from living room to outside courtyard.

To hone our perspective and approach, we recently completed the National Association of Home Builders’ Certified Aging-In-Place Specialist educational series. A welcomed aspect was the varied professional backgrounds represented in the group: product representatives, occupational therapists, builders and designers from all parts of the country offered laser focused reports from each industry. Many of the strategies have been exercised for decades and considered good practice without being labeled as “Aging In Place” and some new strategies were shared such as product offerings - all worth a little air time to keep it front of mind. Some highlights include:

  • SLIDING SCALE: There is not one size fits all when it comes to designing to age in place. There are varied needs including clients with out urgent needs, clients with progressive conditions and clients with traumatic needs (short term injury or long term disability). Within each of those categories exists a different comfort level / interest in incorporating design elements. Each situation, client and budget yields a custom solution.

  • VISITABILITY: Think not only about the clients’ needs, but their aging parents or friends with disabilities. If a home has even a few steps, visits from some family or acquaintances would prove difficult, cumbersome or impossible. Think about offering welcoming and safe spaces for everyone.

  • OCCUPATIONAL THERAPISTS: For those clients who have progressing or traumatic needs, listen closely to what the healthcare providers are recommending. Often in the group discussions, those of us non-medical folks went over the top in accommodations in contrast to the OT’s approach which was usually simple and exacting to the specific challenge but sought to keep the client as active and independent as possible.

  • ADAPTABILITY: Blocking - just do it. Add wood blocking at targeted locations within walls in bathrooms for future grab bars and shower seats. Other examples of adaptable design include stacking closets for future elevator, base cabinets that can be removed to accommodate a wheelchair, structural support in ceiling for future lift, size powder rooms for future showers, etc.

  • BUILDING BLOCKS: Zero step entry into the home, correctly sized halls and doors, living and bedroom on ground floor, curbless or “beach entry” into shower, elevator or stacking closets for future elevator for multi-story homes, lever hardware in lieu of knobs, think about mounting heights of outlets and switches.

Beach entry into shower

Beach entry into shower

Our goal as architects is to synthesize the practical and required components into inspired design that meets or exceeds our clients’ goals. Seamlessly incorporating these and other aging in place strategies into the overarching architecture direction is our ultimate plan. This is not to say that every design of ours checks every accessibility or aging-in-place box, rather we introduce the discussion and allow the client to drive the decision making. We can therefore create a built environment that allows our clients to safely enjoy their days in the place they most want to be.

“The great thing about getting older is living life.” Jon Hamm

Paul R. Williams Student Scholarship

[07.01.22 UPDATE: We have just been notified that this scholarship is no long an active program. Please consider supporting or participating in the National Organization of Minority Architects’ HBCU Professional Development Program instead.]

We are life-long learners. As architects, we are always seeking a greater understanding of design precedents, building science, context and history to inform our work. We bring an open mind to each client, project and opportunity. As entrepreneurs and small business owners, we understand the highs and lows of the journey, the grind and hustle involved. We also understand that the opportunities we have been given, as a white woman and a white man, are not universally given. And while we look at the world with empathy and optimism, we now understand that all of this is not enough.

It is not enough when our industry does not reflect the diversity of our country’s population. It is not enough when only 2% of licensed architects in the AIA (American Institute of Architects) are African American. It is not enough when only 0.3% of licensed architects are women of color.

From Alice Liao’s “Diversity in Architecture” piece for Architect Magazine (May 2019) “According to the Census Bureau, the U.S. population is 61 percent white, 13 percent African American, 18 percent Hispanic or Latinx, 6 percent Asian, and 1 percent Native American. Meanwhile, the makeup of AIA members is 67 percent white, 2 percent African American, 5 percent Hispanic or Latinx, 6 percent Asian, and less than 1 percent Native American, with 18 percent not reporting.” This first article in her three part series pinpoints barriers to entry including cognizance of the architecture profession, money and biases (both latent and expressed).

It is a fact that the more diverse the room is, the better the outcome. It is important for any workforce to reflect the population they are serving. Specific to the architectural industry, having designers who represent the building users and people who work, love and play in that community is the only way to truly create an inspired and relevant built environment for every person.

We started thinking about how to increase the diversity and equity in the architectural profession and looked toward scholarship opportunities for persons of color. That led us to DesignClass’ Paul R. Williams Student Scholarship. In their words, “Paul Williams kicked off a prolific career by becoming the first licensed African-American member of the AIA in 1923. Throughout his life he designed over 2,000 buildings in California and helped shape Los Angeles into the metropolitan city it is today. In 1957, Williams became the first African-American elected as a Fellow of the AIA. DesignClass honors the legacy of Paul R. Williams with a scholarship for African-American architecture students seeking to foster curious and creative confidence in their communities.” The scholarship provides financial assistance to African American students studying at a NAAB accredited architecture program. [More to come on Mr. Williams’ work in a future blog.]

Please help spread the word, consider contributing to this scholarship fund and sharing other ways that the veterans of our profession can help the industry to achieve true racial equity. As always, we are works in progress and welcome any and all lessons we have yet to learn.

“Talent is universal but opportunity is not.”

Kennedy Odede