We were recently gifted a copy of Jo Steffens’ book “Unpacking My Library: Architect and Their Books” published in 2009 by Yale University Press. A book about architecture books, how perfect. The book is launched with Walter Benjamin’s essay “Unpacking My Library: A Talk about Book Collecting” then followed by 10 chapters each focused on a notable architect or duo and their collection. In a spectacular show of comprehensiveness, each chapter has an in depth interview with the architects illuminating their relationship with books, varied sources of inspiration plus details about the physical book case design (manufacturer, number of volumes, linear dimensions, materials of the actual shelves) complete with a wide shot in situ and shelf-by-shelf thumbnails. The summary of each chapter is a list of their Top Ten books. Be still our hearts - we fully understand we are a different breed - equally excited about design inspiration, information sources, furniture design and a peek behind the (bookshelf) curtain of the “greats.”

“ This book captures a representative cross-section of these notable libraries, mapping the intellectual and emotional terrain of present-day architects and scholars…Each architect’s collection is unique and informs its owner’s practice in surprising ways. Tod Williams and Billie Tsien’s library, for example, is remarkable for its archaeological and literary aesthetic, while Liz Diller and Ric Scofidio’s library is imbued with a techno-eclectic and pop-cultural sensibility.”
Jo Steffen

In a surprise to no one, we were not invited to be a part of Steffen’s book, none-the-less here is a glimpse of our own collection and current Top Ten architecture books. Happy reading!

**Dimensions: 15”(h) x 30”(w) each, 30lf total**
**Manufacturer: Custom built-in cabinets by** **Mountain Showcase** **(design by Rush Dixon Architects)**
**Materials: Maple painted** **Sherwin Williams “Iron Ore”**
**Number of Books: about 375**
**Photo:** **Keith Isaacs**

**OUR CURRENT TOP TEN**

**Grain Elevators by Lisa Mahar-Keplinger**
**The Death and Life of Great American Cities by Jane Jacobs**
**The New Architecture and the Bauhaus by Walter Gropius**
**Modern Architecture - A Critical History by Kenneth Frampton**
**Between Silence and Light - Spirit in the Architecture of Louis I. Kahn by John Lobell**
**The City Shaped - Urban Patterns and Meanings by Spiro Kostof**
**Rural Studio - Samuel Mockbee and an Architecture of Decency by Andrea Oppenheimer Dean and Timothy Hursley**
**America’s 5 & 10 Cent Stores - The Kress Legacy by Bernice L. Thomas**
**Aldo Rossi - Architecture 1981 - 1991 edited by Morris Adjmi**
**New Homes for Today by Paul R. Williams**

“An underlying premise of incorporating nature into the built environment is that when people are regularly in contact with nature, personal health and well-being will improve in a manner and to a degree that contributes meaningfully to public health, community resilience and environmental stewardship.” Catherine O. Ryan + William D. Brown

In their new book, “Nature Inside: A Biophilic Design Guide” published by RIBA in 2021, William D. Browning and Catherine O. Ryan share a comprehensive look at what biophilia means and how biophilic design can benefit the inhabitants of the built environment. In an era where the average American spends 90% of their time inside and more people live in cities than rural areas, attention to the design of the built environment to increase well-being and a connection to nature is constantly on our minds. As architects, this book proved to be an inspiring resource for our current and future work; see below for our take-aways.

DEFINITION

Biophilia is defined as the innate human instinct to connect with nature and other living beings. Bio (life) + Philia (to love) was first coined in 1964 by the social psychologist Erich Fromm and gained traction in the mid 1980s after Edward O. Wilson published “Biophilia: The Human Bond with Other Species.” Biophilic design explores the connectivity of the built environment to the natural environment through the use of direct nature, indirect nature and space / place conditions.

PATTERN LANGUAGE

1 NATURE IN THE SPACE: This includes a visual connection with nature from inside the building, non-visual connections (auditory or haptic for instance), presence of water and light patterns that create conditions similar to those that occur in nature.

2 NATURAL ANALOGUES: Incorporating biomorphic forms and patterns that are symbolic references to patterns and textures found in nature.

3 NATURE OF THE SPACE: Interesting thoughts about the preferred landscape being the Savannah which includes both “Prospect” (an unimpeded view over a distance for surveillance and decision making) and “Refuge” (a place for withdrawal, from environmental conditions or the main flow of activity in which the individual is protected from behind and overhead.)

SCIENTIFIC CASE

Healing and Stress Reduction was famously tested by Roger Ulrich who studied two groups of surgery patients - one had a view of nature from their rooms and the other had a view of a brick wall out of their windows. The group with the view of trees and shrubs took less recovery time overall, had fewer nurse calls and took less painkillers. And in a tee-up for the term ‘forest-bathing’ - “In Japan and Korea, research has been conducted to gauge the effect of walking or sitting in a forest as opposed to walking or sitting on an urban street. The time in the forest led to lower measurements of blood pressure, heart rate and the cortisol stress hormone.” Cognitive response was also studied to test the theory of increased cognitive capacity after exposure to nature.

BUSINESS CASE

Understanding that some folks may need additional data to incorporate biophilic design elements into their building, the book includes evidence of direct economic benefits including productivity levels, retail sales and property value. Specific to the office environment, a healthy space with proper air quality, designed with natural elements incorporated has been shown to reduce absenteeism and improve employee satisfaction. Biophilic design goes beyond sprinkling some plants through out the office; reference this chart from the book for a synthesized look at what Biophlic Design Patterns improve physiological responses, cognitive functioning and emotional / mood baselines. (Our two cents - no amount of great design will neutralize toxic work environments caused by humans and unrealistic productivity expectations which is a very real epidemic.)

BIOPHILIC DESIGN IN THE OFFICE

We can all agree that the evolution of office workplace has had some lows as more of the work force moved away from agricultural and factory settings into offie space - think of the monotony of cubicle farms with high walls obscuring any windows. “For most adults, the workplace is where substantial daytime hours are spent…emphasis on effective daylighting, thoughtful spatial configurations, a multi-sensory experience and when possible, natural ventilation strategies, interior greenery and ample views to nature, create dynamic and healthful workplace experiences. The case study comparison of COOKFOX Architects’ offices demonstrate this concept through increasing daylight and views, providing access to outdoor green rooftops and the use of natural materials among other strategies.

In the words of Thomas Heatherwick from the book’s introduction, “Nature has infinite lessons for designers.” We are taking notes.